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Having the underside gluings dried I flipped the chassis on its feet. I guessed that was going to turn in to a proper vehicle, even if it looked a bit strange at this point.
Random, weird and apparently verbose text about plastic models, 'mechs and gaming.
Having the underside gluings dried I flipped the chassis on its feet. I guessed that was going to turn in to a proper vehicle, even if it looked a bit strange at this point.
As I had the tyre sets all built, I then built the suspension / differential housing balls (could you tell how amazingly deep my automotive understanding was?), so that they too would be ready to be installed whenever needed. In addition to only single tyres that were going to be installed into the front axles, the leaf-suspension steup was slightly longer than what the rear axles were going to get. Without thinking much, if at all, about painting, I glued the double tyres into the rear axles.
I guess I had complained clearly enough that the metallic pieces could not stay steel-coloured. They wouldn't have been any better in aluminium, like the instructions suggested, if you asked me. Luckily I hadn't been silly and painted them all with chrome, that'd looked even stranger.
The first photo of the series showed a number of scratches on the rear end of the carriage. Those came from dry-fitting the lifting fork earlier. The piece went on nicely, but getting it out almost required some loud swearing.
Of course before any sort of washes and weathering effects I'd need to fix a couple of pieces, blast a couple of shades of brown to filter the whole construct to look a bit more like it had been in the deserts of Nevada for the Operation Upshot-Knothole.
I began assembling the lifting forks as the cannon was pretty much completed, build-wise. The fork for the rear of the carriage I had already prepainted once, so that fixing it would be hopefully easier. This lifting fork was a simple being, the massive block just needed a free-floating truck attachment thingie and a couple of rods with loops to lock the setup into the rear end of the gun's carriage.
Of course I dry-fitted this setup onto the carriage, as you could tell by the images. Those loops were supposed to catch on to the hooks in the bottom rear end of the carriage. That was not the case right now, based on a quick try and an honest attempt to steer far away from any violence.
At last I was in a stage where I could glue the cradle of the atomic cannon to its carriage. Getting the left axle mounted properly was surprisingly tight, now I'd had some use for a vise or something more modern.
They may not be too clearly visible in these photos, but I also attached the foldable step things that I had painted in their sprues earlier. Somehow I had gotten the impression that they were going to be turnable open/closed, but no. I quickly tried as an example to check if one of the large ones could be easily set in to the firing mode, but that didn't work (and I was concerned about breaking the tiny hooks), so I set the full sextet into the firing transport mode.
Before anything else got done on the cannon itself I was going to have to attack the metallics. The boom of the shell lifter could also benefit from a bit of detailing in the shape of a rope, but I wasn't quite sure if I wanted to depart from the OOB route.
At this point I started rechecking the instructions for what actually were the bits to be painted metallic after I had already blasted the whole thing green. Off the top of my head I remembered that the cylinders of those two cans (but definitely not the lids) in the carriage's front were to be painted, in addition to a couple of other small pieces. But of course I was wrong.
The hydraulic cylinders had the lids on the painting list, as were the weird tracks on both sides of them, and a set of rails and stoppers framing the ramming device. The handles to control the setup's elevation were painted as instructed, as were the handwheels for the elevation for the gun barrel itself. Though unlike what the Revell folks wanted I only painted the outer rim and left the spokes green, as I expected to be painting them some other colour rather soon. As you could see below, the setup was already looking a bit dazzly for a weapon of war and I didn't even follow the suggestion of painting the gun cradle's axles metallic. Just to see how it worked I only painted the innermost part and even that seemed a bit weird.
After a good night's sleep. I felt that it was way too blingy and more like a beginner's first Warhamer 40,000 tank or something, all it lacked were a few dozen skulls and shit. Still, I did an image search and quite a few finished models looked just like the instructions wished, but especially the hand wheels looked like they had been lifted off of a clown car. The parts that were to remain steely I was going to drybrush with either of my duller/darker metallics, so that they wouldn't stand out quite that much, as if the device was fresh out of the factory.
So I repainted the handwheels, the inner ring of the gun axles and a few sloppily painted overflows. It was noticeably better this way. On the handwheels painting over the metallic was a bit less covering than perfect, but maybe it'd work as paint being worn, just done the opposite way than usual.
I spent a decent time masking the cannon's barrel, to be sure. Protecting the tipmost part was a simple setup of two overlapping pieces of tape, but on the stem side that didn't fly. As the end of the paintable area was where the barrel went inside the housing setup that was going to remain green, I had to cover the mouth of the other one first. I just applied a bunch of tangential pieces that anded up looking like a strange sun. That was enough to protect the greenery from overblasts.
The instructions kept telling that every metallic piece had to be painted as aluminium, but I wasn't going to even consider such nonsense, I loaded the airbrush with steel (VMA 71065 Steel) and blasted away. As was to be expected, the contrast between a bright metal and the dull, boring green was almost eye-searing.
Getting to one of the painting stages I was pretty eager to see how the atom cannon behaved when it looked more like its real self instead of an untextured 3d model. The paint I used was Olive Drab (VMA 71016) as instructed, even though any of the german camo greens would've also worked just fine. On my first painting session the time was, as always, somewhat limited, so I tried to get a decent enough coverage that showed if the whole thing made any sense. While I had to hold on to something, there were noticeable unpainted patches on both ends of the carriage.
On my next painting session I covered up what I had skipped the previous evening and fixed the shadows left by the first painting round. Slowly the cannon started looking like a proper thing in the universe, even though painting the whole damn thing in one boring colour felt just like that: awfully boring.
The biggest problems of the carriage's painting were more or less hidden, inside the frame itself. With some good luck no one, including the unforgiving eye of the camera, would ever notice anything, but the risk existed. A few details were still waiting to be painted, but those I didn't even dream of airbrushing at this point anymore.
You could immediately tell what was the best tool for this sort of work. During a couple of evenings I redid the priming with the freshly treated airbrush on the components I had already built, and the results were on a completely different level. Of course the brushed-on primer layers could be seen through, but perhaps it wasn't that sort of a crime on a cannon. Those beasts were going to get crummy in any case, living in the nature and all.
It didn't take many days from the dropoff until I got the sms informing me that the servicing was done. Within a couple of days I took a quick early evening drive to fetch it and ask some stupid questions about the process. My airbrush had indeed been dirty, but I had also at some point managed to install the tip into a wrong place, which had definitely not helped with the issues. Luckily I had not broken a thing, so I gained some scratches on the device and a "you silly fool" moment for myself. The time & materiel costs were less than 50€ and the amount of time and effort, not to mention madness, they saved were worth much more. All in all, a great deal from my viewpoint.
Now I needed to get some time to return to the priming, in addition to everything else. If I had enough time for everything, that is.